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This is the second attempt to invent a movie out of a Terry Pratchett new and it succeeds rather well. In this case, the movie is based on the first two novels in the ‘Discworld’ series, ‘The Colour of Magic’ and ‘The Light Fantastic’.
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Rincewind (David Jason), an inept wizard, is expelled from Unseen University. On a dare, he snuck a behold at the Octavo, the book outmoded to build the world, and one of the eight enormous spells lodged in his head.
At the same time, Twoflower (Sean Astin) arrives in Ankh-Morpork to “gape at it”. He’s the Discworld’s first tourist and he travels with the Luggage, a box made of sapient pearwood that moves about on hundreds of puny legs and will follow it’s owner everywhere.
After conning Twoflower, Rincewind is dragged to the Patrician’s palace and ordered by Lord Vetinari (Jeremy Irons) to guide Twoflower safely through the city.
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Twoflower, introducing the conception of fire insurance to Ankh-Morpork, inadvertently causes the entire city to burn down and he and Rincewind elope and Rincewind is plunged into several life threatening situations which he survives by sheer luck.
The obliging parts of this movie are Jeremy Irons as the Patrician and Tim Curry as Ymper Trymon, second in enlighten of one of the eight orders of wizardry at the university. Both play their roles with delight in and Curry’s performance is as righteous, if not better, than that of Cardinal Richelieu in ‘The 3 Musketeers’.
The dreadful parts? Well, a lot of the proper scenes in both novels are left out. There is no travelling shop, no Hrun the Barbarian, no flying rock and no Tethis the sea troll. There is also no gingerbread cottage or broomstick flying.
Also, they unfortunately chose a white actor to describe Twoflower, when it’s made obvious in both ‘The Colour of Magic’ and ‘Interesting Times’ that Twoflower is Chinese. A accurate shame, but Sean Astin does a astonishing job at portraying Twoflower’s attitude of looking at the world through rose coloured glasses.
And they got Cohen the Barbarian’s (David Bradley) teeth contaminated.
Although this movie takes a while to procure going, it does regain funnier as it goes along and there are some grand one-liners. “I am having a reach Rincewind experience.”
Christopher Lee reprises the screech of Death, as he did in the interesting versions of ‘Soul Music’ and ‘Wyrd Sisters’ and he has some of the best parts in the movie.
Aside from the shrimp annoyances, the movie is quite superb, the actors are respectable, it’s got all the wittiness you’d demand from Pratchett, and I loved it.
A live-action Terry Pratchett movie is either doomed to fail in every diagram, or succeed in practically everything.
And “The Colour of Magic,” adapted from the first two novels in Pratchett’s incandescent Discworld series, is more the broken-down than the latter. This one is no “Hogather” — it has rather tedious direction at times — but it preserves Pratchett’s wry satirical sense of humour. And of course, it’s all about a mercenary, cowardly failed wizard.
Rincewind (David Jason) is ejected from the Unseen University, on the very day that Twoflower (Sean Astin) arrives with his many-legged Luggage. He’s arrive to the Disc… to “recognize at it.” But after Rincewind tries to con Twoflower, the Patrician (Jeremy Irons) orders Rincewind to be the guide/bodyguard of the Disc’s first ever tourist.
After a massive fire sweeps through the city, the two demolish up fleeing Ankh-Morpork and running into all sorts of curious things — a very assertive magic sword, a floating island chunky of see-through dragons, a dramatic dragonlady in a leather bikini, astrozoologists trying to decide Mountainous A’Tuin’s gender, the passe Cohen the (retired) Barbarian, druids, and even getting thrown definite off the Disc in a queer spacecraft. And you opinion YOU had problems.
Unfortunately the Unseen University is having troubles of its fill — the magical book Octavo is acting unique, and power-hungry Trymon (Tim Curry) is scheming against the Archchancellor. Even worse, a unique red star has appeared in the sky, and the world is facing destruction. The only thing that can achieve it is the spell in Rincewind’s head.
Perhaps it’s because it’s based on the first, roughest Discworld books, but “Colour of Magic” is not quite as droll or tightly-written as its predecessor, “Hogather.” The writing is not quite as complex or as witty, and the direction sometimes feels a bit gradual (such as the bar fight scene, or Trymon skulking and schemind around the University) .
But despite these drawbacks, “Colour of Magic” is calm a vastly interesting epic — it has a solid plotline and it chugs away nicely after a somewhat slothful beginning, and blossoms into full-out complexity about halfway through. Once it gets underway it starts to resemble a road-trip through fantasy-land, with our quirky tourist and wizard bungling their method across the Disc.
Along the device there’s some fun action (an upside-down duel), amusing dialogue (”You weren’t born with a mysterious birthmark in the shape of a crown, were you? “), and a general air of tongue-in-cheekness. Best of all, it’s a fantasy spoof — Vadim Jean preserves Pratchett’s clever satire aimed at the staples of your average fantasy: fantasy babes, prophecies, magic swords, retired barbarians, remarkable artifacts, and even the belief of reality warping itself to place the “hero.”
Jason is wonderfully snivelly and sour as Rincewind, a failed wizard who basically finds himself repeatedly swept up into bizarre, deadly circumstances even though he didn’t want to be interested. Astin is even better as the hilariously oblivious Twoflower, who regards every exertion as yet another sizable adventure (”We’re going to urge out of world!” “I have to survey that!”) .
And there’s a talented supporting cast — Curry chews the scenery with sneering aplomb, Karen David plays a humorously over-the-top dragon-lady, and Irons has a tiny but unbelievable role as the frigid, efficient Vetinari. And of course, the radiant Christopher Lee takes over as an increasingly disappointed Death.
“Colour of Magic” isn’t as tightly directed as it could have been, but it aloof manages to be clever and quite funny.
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